Performances for Change the World or Only for Make up the Dead Body

Latest

LAST CALL

PERFORMANCE AGAINST FASCISM
(IN MEMORY OF 70 ANNIVERSARY OF THE VICTORY
UNDER FASCISM IN II WORLD WAR)

“This is the situation of politics which Fascism is rendering aesthetic… Fascism attempts to organize the newly created proletarian masses without affecting the property structure which the masses strive to eliminate. Fascism sees its salvation in giving these masses not their right, but instead a chance to express themselves. Fascism seeks to give them an expression while preserving property… War and war only can set a goal for mass movements on the largest scale while respecting the traditional property system. All efforts to render politics aesthetic culminate in one thing: war….” (Walter Benjamin 1936. )
In this 70 anniversary of the victory under fascism in The Second World War, it is interesting to see how the politics of fascism are as current now as they were before and during The Second World War. We can see that the politics of fascism are causing today „small“ wars such as wars in Iraq, Egypt, Libya, Syria, Ukraine and just France. Those wars can be regarded as today’s global war, if you like The Third World War.
It is my belief that performance art’s main duty is to challenge the politics of fascism. Now more than ever, performance artists must help to their societies to win in this cure fight with fascism so perfect in the softy ways to use and performance art itself to advertise its ideology.
Festival Performance Against Fascism is the glorification of 70 anniversary of the victory under fascism in The Second World War and all of performances inspired by and dedicated to that victory are very welcome.
Festival Performance Against Fascism is dedicated to the most authentic political performances in these times of breakdown of all valuables, performances of insurrection against fascism. It made sure today performance artists are just those who perform in art actions, rebellions, protests, revolts, riots and revolutions against fascism.
Festival Performance Against Fascism examines the complexities underlying our current perceptions of the politics of fascism’s performances. It is aimed to discover the mechanisms of political propaganda and manipulation of the mass across the performance art made by the politics of fascism. It is aimed at encourage performers, artists, activists, academics, theoreticians and, not least, the Audience, to make the distinction between performances serve to people and performances serve the politics of fascism. Only you need to do is to email to politicalperformance@yahoo.com by: 5. 12. 2015. with: short CV, link to website or max 1 MB supporting material, short description of performance or content of the text (explication) you wish to participate at the Symposium.
As Festival Performance Against Fascism is really independent, critical, free and opened for followers of very critical options, there is not any sponsor. Consequent the Festival can’t offer any expenses and fees for participants.
Festival will take place in Belgrade and London (15. -21. December 2015.)

THE SPARK – POLITICAL PERFORMANCE WORKSHOP

The Spark. Social Justice Festival 16 – 21 June

St Peter’s Community Hall, 56 Warner Place – London 

 

 Wednesday 18. 6.14.

  6 pm

 

Performance Art  Fight  Social Injustice

 

Political  performance workshop by Ana Milovanović aims to question how the  performance art today   might  approach the subject  of social injustice (with  short documentary films about left wings  political performances  from Serbia (Occupy movement,  but SKOJ – Union of  Communistic Youth of Yugoslavia too).

 

 

Friday 20. 6. 14.

10, 30 13, 30  pm

 

Performance Art  Fight  Social Injustice             

 

A participatory  political  performance workshop by Ana Milovanović. It  aims to question how the  performance art today   might  approach the subject  of social injustice and   to put the performance art  at  the  forefront  of  the political  strugle.

Performance Art  Fight  Social Injustice is aimed  to encourage  activists to use the performance art, one of  the  most  expressive, with the most  emotionally powerful, the most radical of art  forms; one  synonymous with political  resistance. Becouse everybody of us used his body, psycho and spiritual possibilities  fighting  for ideas and valuables in which sincerely believes, everybody of us  doesn’t  agree to the world without valuables is authentic performer.

Participiants should have  a opportunity to use performance means against social injustice, making  own performances which  really  question  and try to radically change the society.

It is open call for all of activists, citizens, group of citizens, believers, syndicates, peasants, representatives of minority…

“Strike up all performers -protesters, all you unsatisfied at the world… 

 

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SKOJ 1. MAY

SKOJ  1. MAY

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                   Call for Submissions

 

     IV Symposium Political Performance

 

 

     PERFORMANCES TO RESIST THE POLITICS OF             

                             IMPERIALISM

              (IN MEMORY OF THE GREAT WAR)

 

Belgrade

   Serbia

24. -27. 3.  2014

 

                      In this anniversary year of the Great War, it is interesting to see  how the politics of imperialism are as current now as they were in 1914. We can see that the politics of imperialism are causing todays small wars such as Iraq, Egypt, Libya, Syria and just Ukraine. These wars can be regarded as today’s global war, if you like today’s Great War.

                   It is my belief that performance art’s main duty is to challenge the Politics of Imperialism.  Now more than ever, performance artists must help to their societies to win  in this  cure  fight  with Imperialism  so  perfect in the softy ways to use performance art to advertise itself.

                IV symposium Performances to Resist the Politics of Imperialism is dedicated to the most authentic political performances in these times of breakdown of all valuables, performances of  insurrection against imperialism. It made sure today performance artists are just those who perform in art actions, rebellions, protests, revolts, riots and revolutions against imperialism.

                  IV symposium Performances to Resist the Politics of Imperialism examines the complexities underlying our current  perceptions  of  the politics of imperialism’s performances, not only in Serbia, but in the  wider world. It is aimed to discover the mechanisms of political propaganda  and manipulation of the mass across the performance art  made by the politics of imperialism. It is aimed  at encourage  performers, artists, activists, academics, theoreticians and, not least, the Audience, to make the distinction between performances serve to people and performances serve the politics of imperialism.          

                  IV symposium Performances to Resist the Politics of Imperialism opens up  the questions:

-How are the politics of imperialism using   performance and performance artists to agitprop the agenda of imperialism?

– Anti capitalism  and anti globalization  performances have been implicated in a process of inoculation  to protect  imperialism? Must  the performance art be influented by capital or must  be fully integreted with  imperialism? Has political  performance been co-opted   into signs and  commodities and being so subservient to imperialism?

– „Performances of „ Spring“ Movements worldwide and performances of “Resist” on 5. October in Belgrade ”-  Those performances really  question  and try to radically change the society, or do they slave only to beautify  the dead body of imperialism? What are real nature and functions of those political performances?

          IV symposium Performances to Resist the Politics of Imperialism is a  gathering  of some of the most exciting  and radical performance artists, activists   and thinkers from across the world and  has some of the most interesting examples of performance against imperialism in the political life of Serbia-  for a  four-day  program of events and activities, taking place  at many historical  sites in  contemporary Belgrade and on historical dates 24. March (On 24. March 1999.  NATO – Army of imperialism has been starting the bombing of Serbia) and 27. March (on 27. March 1941. Serbian mass protest against the Government pact with Nazists “BETTER THE WAR, THEN THE PACT” was held in Belgrade).

                   IV symposium Performances to Resist the Politics of Imperialism opens call for all of performers, observers, participants, academics, thinkers and theoreticians  of  performance  of insurrection and  unacceptability of the world ruled by  the politics of imperialism (artists, citizens, group of citizens, political parties, believers, syndicates, peasants, activists, representatives of minority…).

                    Only you need to do is to email to politicalperformance@yahoo.com by 10. 3. 2014 with: CV and artist (activist) statement, website link or max 1 MB supporting material, short description of performance or content of the text (explication) you wish to participate at the Symposium.

                    As The Forth Symposium Performances to Resist the Politics of Imperialism is really independent, critical, free and opened for followers of very critical options, there is not any sponsor. Consequent the Symposium can’t offer any expenses and fees for  participants, but the participation by Skype, texts, videos and photos are  very welcome.

The deadline: 10. 3. 2014.

 

PARTICIPATION  IS  FREE.

           www.politicalperformanceserbia.wordpress.com

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                                              ONE DAY SYMPOSIUM               

 

                                               PERFORMANCES

 

                                                           OF                                                                       

 

 UNACCEPTABILITY OF THE WORLD WITHOUT DOUBTLESS VALUABLES

 

                                                  INSPIRED BY

 

  P. P. NJEGOS’ VALUABLES -THE TRUE, THE BEAUTIFUL,THE GOOD 

 

  

 

                                                         at

 

                          Hundred Years Gallery, London E2 8JD

 

                                           16th February 2014

 

                                                      3 – 6 pm

 

                                                                                                                                                                

 

 Curated by ANA MILOVANOVIĆ

 

 

 

 

 

Performance lecture

 

 

 

The Importance of Njegos’s Performances of Unacceptability of the World without Doubtless Valuables in These Times of Breakdown of All Valuables

 

 

 

Performances

 

 JELICA ĆULAFIĆ, ANA MILOVANOVIĆ, VANESSA MITTER,     

 

 LUISA SPINA, RÜDIGER ABSHALOM DALIT WESTPHAL   

 

         

 

Collective Performance Discussion (drop in)

 

PERFORMANCES OF  THE TRUE, THE BEAUTIFUL, THE GOOD IN XXI CENTURY

 

 

SYMPOSIUM 8. 12.2013. ETHNOGRAPHY MUSEUM OF SERBIA

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                              Njegos – The True, the Beautiful, the Good

                                                    or

                         Performances of Unacceptability of the World             

                                      Without Doubtless Valuables

                                                          

     Njegos Days in  The Museum of Ethnography in Belgrade

                                                   Sunday, 8.12.2013.                                          

                    VDREY Feat SCHULTZ, Liuba, Vanessa Mitter,

               Francesca Fini, Rüdiger Abshalom Dalit Westphal,    

          Јелица Ћулафић, Драган Ђорђевић, Ана Миловановић